The much anticipated first single from Toronto’s noise-rock/post-rock experimental outfit Slack dropped on June 26 with the precision and percussive power that leave jaws agape and eyes blasted open. “Michael” is brimming with 90s rock heft mixed with the volatile expression of free form jazz culminating in a headrush that the body only dares try to keep up with.
With a sound akin to the eclectic and bustling metropolis from which Slack hails, their debut single encapsulates the essence of frenzy and chaos trying its hardest to remain tangible within the limits of accessibility. Without the technical acumen and artistic authority of the band, “Michael” could have sounded like electrified and tuneless instruments hurtling down an endless stairwell as Yoko Ono crashes out five floors above. Instead, “Michael” perfectly teeters between mastery and mayhem with dynamic deviations in tone and structure.
Slack seemingly snaps into existence the quintessential 90s rock atmosphere characterized by its density, moodiness, and pervasive texture. Built upon it are crackling livewires of 60s jazz that crackle and snap relentlessly and unbiasedly. Mixed with visceral lyricism that builds to a nearly literal cry for help, “Michael” feels like a dangerous mixture with an allure that is impossible to stay away from. In its exactly 6-minute runtime, “Michael” exposes the listener to a dizzying amount of shock, awe, and challenges the traditional perception of structure and storytelling.
“And I remember finally letting go, my innards on the floor, / and still you were silent, I heard the radio over every breath you drew.
And I remember seeing that taxi come round the bend, / wanting to take the wheel, and make it fucking kill you.”
– Slack “Michael”
A standout feature of “Michael” is the band’s ability to play with dichotomies. For every nuance in sound there is an abrasive use of volume, for every introspective lyric is a shriek of raw emotion, and for every moment showcasing the band’s technical talents are moments that are untethered and boundless.
Slack’s debut single “Michael” reinvigorates a genuine feeling of excitement for what could possibly come next. The band finds something deeply human in their music that may not be “nice” or cordial, but it is real – something that music and more is sorely missing.
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Bio:
Slack is a Toronto based experimental rock band. Slack consists of Owen Bulger (Vocals, Guitar), Liz Anthonisen (Keys), Joey Forbes (Alto Sax), Everett McNiven (Electric Bass), Evyn Berridge (Drum 1), and Ben Culver (Drums 2).
